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Hi, I am Gillian, an Australian, living and working in the Midlands of the UK. I have always been hooked on fantasy genres, and have been writing my own short stories since I was a teen. My discovery of the entire Chinese family of fantasy genres, including Wuxia, Xianxia, and Xuanhuan has led me to create this site. I hope you enjoy exploring this world as much as I do!

If you’ve spent any time in the world of xianxia—whether reading, watching, or attempting to write it—you’ve probably run into the Three Treasures: Jing (精), Qi (气), and Shen (神). They show up everywhere. Characters talk about them like they’re obvious. Masters lecture about them. Manuals mention them in passing, as if everyone was born knowing what they mean.
And yet, for many writers—especially Western ones—they’re frustratingly slippery. Are they three types of energy? Three states? Three stages? Three vibes someone made up to sound mystical?
Short answer: none of the above.
Longer answer: they’re far more useful than that—but only if you stop treating them like a checklist and start treating them like a system of transformation. Because that’s what they are.
At a glance, the definitions seem straightforward:
Most guides stop there. Which is about as helpful as saying, “A sword is for cutting things,” and then wondering why your fight scenes feel like damp cardboard. The deeper—and far more useful—truth is this:
Jing, Qi, and Shen are not separate systems. They are three states of the same underlying substance.
In Daoist thought, everything, body, energy, spirit, is composed of qi, the fundamental stuff of existence. Jing, Qi, and Shen simply represent different levels of refinement of that same substance. Think less “three power bars”… and more:
Same substance. Different states. Different behaviour.
Once you understand that, everything else starts to click. Cultivation isn’t about stacking power. It’s about refining what you already are. Traditional Daoist models describe this as a process:
In storytelling terms, this gives you a beautifully clean progression:
This is where your protagonist begins. Before the flashy techniques, before the glowing swords and flying mountains, there is the simple, brutal reality of the body.
Jing is:
This is the stage of:
It’s also the stage most grounded in the material layer of the world—resources, bodies, tools, environments.
Which, interestingly, mirrors how xianxia itself tends to structure its early narrative focus.
Once Jing is stabilised, it can be refined into Qi. This is where cultivation becomes visible. Qi is movement. Circulation. Force. This is:
It’s also where the story shifts into systems—sects, rankings, hierarchies, rules. Because Qi doesn’t just exist—it’s trained, taught, controlled.
And then we reach Shen. This is where most stories either become fascinating… or quietly collapse under their own confusion. Shen is not just “more power.” It’s the refinement of perception, awareness, and identity itself. At this level:
This is where cultivation stops being physical and starts being philosophical.
Here’s something you may not have realised—but you’ve probably felt it while reading or watching xianxia. These stories tend to operate on three distinct layers:
And—this is the interesting part—these layers map almost perfectly onto Jing, Qi, and Shen.
| Story Layer | Cultivation Stage |
|---|---|
| Material | Jing |
| Institutional | Qi |
| Spiritual | Shen |
This isn’t just a coincidence. It suggests that the Three Treasures aren’t just part of cultivation—they’re part of how xianxia organises reality itself. So when your story follows this progression, it doesn’t just make sense mechanically. It feels right.
Here’s where things usually go sideways. Writers treat Jing, Qi, and Shen as separate pools of power. So you get:
Instead, remember:
Each stage must grow out of the previous one.
This is a system of dependency, not accumulation.
Now we get to the part that really separates xianxia from Western fantasy. In many Western traditions, the self is stable. A soul. A core identity. Something that persists unchanged.
Daoist thought… does not agree. Instead, a person is understood as a configuration of jingshen—multiple interacting aspects of spirit, all composed of qi. There is no single, indivisible “you.” There is only a dynamic system that can:
This is where things get properly interesting.
Because now you can explore:
Cultivation stops being a power ladder.
It becomes a question:
How much of yourself can you change… before you stop being yourself?
Another insight from Daoist thought is that immortality isn’t a single destination. It splits into two distinct possibilities:
This path values stability, continuity, preservation.
This path values transformation, transcendence, release.
These two paths don’t just coexist. They conflict.
You now have:
Do you remain yourself forever…or become something entirely new?
One of the biggest differences between xianxia and Western fantasy comes down to how power works.
Western fantasy often frames power as control:
Xianxia doesn’t quite play that game. Here, power is about alignment with the Dao. The strongest cultivator isn’t the one who forces reality to obey. It’s the one who moves with reality so completely that resistance becomes irrelevant.
Which is a very polite way of saying: If you’re trying too hard, you’ve already missed the point.
Now that we’ve untangled the theory, let’s make it practical.
Structure your progression like this:
Keep it clean. Keep it connected.
Each sect should prioritise a different Treasure:
Perfect balance is boring.
Imbalance is story.
Every gain should come with a consequence:
If power is free, it’s boring.
If power changes you, it’s interesting.
Lightning split the sky as Yán Mù staggered into the temple ruins. Blood soaked his sleeves; his meridians pulsed erratically.
“You fool,” hissed Lán Shēng, stepping from the shadows. Her robes were unburnt, her eyes luminous with restrained power.
“The Bone-Severing Pill,” Yán Mù gasped. “You knew it would burn my Jing.”
She didn’t deny it. “You begged for strength. I warned you: no essence, no future. What did you think would happen when you traded your body’s root for one night of invincibility?”
Yán Mù laughed bitterly, slumping against a shattered pillar. “I killed the Devil General. That was the deal.”
A pulse of Qi surged from him—wild, unstable. Lán Shēng flinched. “Your Qi’s out of control. Your body can’t anchor it anymore,” she murmured.
“Then help me stabilize it. You’re a Shen cultivator. Dreamwalker. Fix my spirit.”
She stared at him—into him. His Shen was flickering, like a candle in storm winds. “You’re fraying,” she said softly. “You’ve lost too much. Jing scorched. Qi corrupted. Shen scattered. There’s nothing left to anchor.”
He reached for her hand. “Then lend me your Shen,” he whispered. “Just for tonight. One dream. One chance to walk the Dao again.”
Silence fell. Rain pattered on cracked tiles. Finally, Lán Shēng knelt. She pressed her forehead to his. “I can give you that. But it won’t save your life.”
He smiled. “Don’t want to live. Just want to see it. The Dao. One more time.”
And as their spirits entwined, the three broken Treasures—body, breath, and soul—sang one last note into the void.
Jing, Qi, and Shen are more than mystical terms—they’re a framework for physical, emotional, and spiritual stakes. Use them to:
In the end, a great Xianxia story doesn’t just show characters growing stronger. It shows what they give up, what they transform, and what they carry forward into the next life.
If you take nothing else from this, take this: Jing, Qi, and Shen are not three powers. They are three stages in the transformation of existence. And cultivation? It’s not about becoming stronger. It’s about becoming something else entirely—and deciding whether that transformation is worth it.
Xianxia -10 Definitive Characteristics – Cultivating Dragons
In Search of Qi Immortality: A Study of Heshanggong’s Commentary on the Daodejing
























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Super useful article! I had a… slight misunderstanding that I hadn’t even realized I had about Jing. In my defense, I lean towards reading either horror or danmei titles which are… often crass.
Anyway, I’m really glad to have this cleared up for me! Thanks a bunch!
You’re Welcome!