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Hi, I am Gillian, an Australian, living and working in the Midlands of the UK. I have always been hooked on fantasy genres, and have been writing my own short stories since I was a teen. My discovery of the entire Chinese family of fantasy genres, including Wuxia, Xianxia, and Xuanhuan has led me to create this site. I hope you enjoy exploring this world as much as I do!

As I embarked on the task of defining my realms in my Universe of Mortal Redemption, I hesitated about whether to place devils and demons in the same realm. Chinese fantasy descriptions bear no resemblance to western descriptions, aside from ascribing danger, amoral characters to both. To be fair, when yao and mo are translated into English, they were assigned to demon and devil more out of convenience, as those are the names we apply to evil beings.
But neither yao nor mo are intrinsically evil. It is more about the Dao that they follow, and the cultivation techniques that they practice. In fact, demons are more akin to nature spirits, while devils are more about a race of powerful beings, whose motivation can involve ruthless methods to obtain their goals. Even translations from Mandarin to English can be confusing; “Love between Fairy and Devil” is actually a romance between a celestial female (aka fairy), and a demon (aka devil).
So I chose to differentiate between these two races of dark demi-immortal beings. One race lives in a realm of chaos and fire; the other in a realm of ruthless order and ice. In many ways my devils are more akin to the celestial immortals, than they are to my demon race (much to the ongoing horror of the celestials). But my goal above all, was to remain essentially true to their characterisation in Chinese fantasy – both print and film.
Chinese devils do manipulate, bribe, seduce, and I have included those characteristics in the inhabitants of my devil realm. But they also have thoughts, feelings, impulses good and bad, and there is more to them than meets the eye. So, forget everything you think you know about devils, and instead enter the realm of Chinese mo, and learn how to create your own powerful and dynamic character, whether they be your villain or your hero.
Devils in Xianxia are not your Western pitchfork-wielding caricatures. There are no horns, no lakes of fire, and certainly no queuing up to sell your soul at a crossroads. In fact, if a devil tripped over a soul lying in the street, they would probably wrinkle their nose, step around it, and complain about the mess.
What devils do thrive on is bargains. But these contracts are not about hoarding souls. They are about accumulating Qi, advantages, and power. Every deal is a move in a vast, ongoing chess match across the realms. A devil’s contract might siphon Qi from a disciple’s cultivation, tie an oath of loyalty to a sect’s fortunes, or bind an immortal’s strength to the devil’s own rise. Souls are irrelevant. Leverage is everything.
In fact, the death of a signee is more nuisance than triumph. When the contractor dies, the bargain ends. That means the devil loses their carefully cultivated pipeline of advantage. Contracts only work if the other party is alive to keep paying; whether the “currency” is Qi, resources, favours, or reputation. This is why devils take particular delight in inserting multi-generational clauses. Imagine signing away not only your loyalty, but the loyalty of your descendants until the fifth generation. Now that is the sort of clause to make a devil purr with satisfaction.
This is what makes devils so compelling in the Mortal Redemption universe. They are refined predators, masters of allure and calculation. Where demons roar and smash their way to dominance, devils whisper, charm, and bargain. They make you want what you should fear, and by the time you realise the cost, it is far too late.
Their sinister glamour makes them magnetic as villains, irresistible as lovers, and dangerously fun as anti-heroes. They exude menace wrapped in luxury, temptation threaded with humour. And when they fall (because every devil must eventually fall) they do so with operatic splendour.
This guide will show you how to design one in ten ruthless moves: blending seduction with menace, weaving contracts with wit, and ensuring your devil is as unforgettable as they are terrifying.
Devils rarely rush. They glide into rooms as if the air itself parts for them. Their poise is unnerving because it implies complete control, and control is the essence of their power. A demon smashes a wine cup to prove dominance. A devil swirls their wine, lets the silence drag, and with one raised brow reduces the entire room to nervous anticipation.
When writing a devil, lean heavily into body language. Their every gesture should look intentional. A devil does not merely sit. They recline, as though thrones were built for them. They do not point. They extend a finger like a sculptor placing the final stroke on marble. Even their pauses are elegant, the kind that force others to fill the silence with babble.
This makes them magnetic. Readers cannot look away because their stillness feels dangerous. Who can be so calm unless they know something you do not?
Poise is their armour. Grace is their weapon. By the time their opponent realises the devil has not moved, they are already three steps behind in the conversation, or the trap.
Clothing is never incidental for a devil. Where Celestials wear white to signal purity, devils favour deep crimson, black silk, obsidian jewellery, and embroidery that writhes with serpents, flames, or twisting flowers. Their aesthetic is theatrical and unsettling, designed to remind others that they are dangerous but desirable.
Think of them as knives wrapped in velvet. Their robes might shimmer like spilled ink under torchlight, or whisper curses when brushed by mortal hands. Even their accessories carry menace: fans lacquered with ash, pendants shaped like phoenix claws, or hairpins tipped with venom. Their glamour is inseparable from their power.
For writers, this is where you can indulge in decadent detail. Describe how candlelight reflects from the gold filigree of their belt. Let other characters notice that their perfume carries the faintest metallic tang, like blood on silk. Use clothes not just to impress, but to unnerve.
Unlike demons, who wear wildness proudly, or Celestials, who use order to dazzle, devils weaponise fashion. A robe that slides too low on the shoulder can unbalance a mortal. A blood-red ribbon tied around the throat can make a rival imagine strangulation. Their luxury is never purely decorative. It always hints at the cost.
Devils rarely shout. They do not need to. Their words are sharper than any sword. They persuade with honey, threaten with silk, and flatter in ways that leave listeners both pleased and terrified. A single line can lift you onto a pedestal or push you over the edge.
When writing devil dialogue, build layers. A phrase like, “How delightful” can carry three meanings: sincere approval, sarcastic mockery, or a promise that your downfall will be “delightful” indeed. Ambiguity is their strength.
Give them lines that linger. Devils speak in phrases others repeat later, unsure whether they were complimented or cursed. They often ask questions instead of making statements, drawing secrets without seeming to pry.
Silence is also their ally. A devil who pauses mid-sentence leaves opponents scrambling to fill the void. That scramble reveals weakness.
Where Celestials wield lectures, devils wield whispers. Their speech patterns should make readers lean closer, desperate to know the hidden meaning. By the end of the scene, everyone should realise the devil has already won; and they never raised their voice once.
Devils adore bargains. Their entire culture revolves around contracts, written or unwritten, sealed with blood, Qi, or whispered vows. Unlike demons, who thrive on chaos, devils thrive on rules; but rules they have written themselves.
These contracts are not about souls. Devils would not know what to do with one if it were handed to them on a jade platter. What they want is leverage: Qi, favours, resources, or cultivated advantage. The signee must keep paying while they are alive, and the devil delights in stretching that payment as far as possible.
The only thing worse than a broken contract is a dead contractor. Death renders most bargains null and void, robbing the devil of their ongoing pipeline of benefits. This is why devils sometimes insert multi-generational clauses. Imagine discovering that your great-grandfather signed a deal, and now you are bound to deliver Qi for the next three centuries.
In your writing, make contracts specific. A scroll may bind a cultivator’s spiritual energy to a devil’s blade. A casual vow may twist into a geas that drains Qi whenever disobedience occurs. The fun lies in the interpretation; devils rarely lie, but they always let others misunderstand.
A devil who is only seductive is shallow. A devil who is only menacing is just another villain. The power comes from holding both at once. Readers should want to lean closer and recoil at the same time.
Show this by pairing opposites. Give them an intoxicating smile with a gaze cold enough to freeze rivers. Let their voice soothe while their fingers toy idly with a cursed dagger. Let them lean close enough to brush lips to an ear; and whisper a promise of exquisite pain.
Balance also works in narrative arcs. Perhaps your devil seduces the protagonist with charm, then reveals fangs in betrayal. Or perhaps they terrify first, then disarm with humour or unexpected tenderness. The shifting dance between allure and threat keeps them unpredictable.
For writers, think about contrasts in imagery. A devil’s robes may be embroidered with blossoms that drip blood. Their laughter may sound like bells but end with a shiver. These juxtapositions make them unforgettable.
A devil’s power lies not in seduction or menace alone, but in the reader’s inability to tell which they are facing until it is too late.
Devils pride themselves on rationality. Where demons leap into battle and Celestials moralise for hours, devils cut straight to the cost–benefit analysis. They will sacrifice pawns, abandon allies, and betray causes without hesitation if the calculation demands it.
This ruthless pragmatism makes them brilliant strategists. They do not waste energy on sentimentality. If an army cannot be saved, they burn the bridge and pour themselves a drink. If a lover becomes inconvenient, they sever ties with a kiss and a smile.
But pragmatism also adds dramatic weight. When a devil shows even a flicker of hesitation- pausing before abandoning someone, glancing back at a fallen comrade- readers notice. That hesitation can spark entire storylines.
Writers can lean into the tension: can a being who views everything through cost and gain ever truly love? Can they act selflessly, even once? If so, it will feel monumental because it defies their nature.
Humour can soften ruthlessness. Imagine a devil calmly tabulating casualties like they are balancing accounts. “Yes, yes, three thousand dead, but the harvest will be excellent next year.” Readers laugh, then shiver.
Pragmatism is their crown jewel. It makes them terrifyingly effective, and achingly tragic.
Devils wield wit like a rapier. Their humour is sharp, cutting, and rarely safe. They mock celestials for pomp, tease demons for recklessness, and charm mortals with sly compliments that double as insults.
Humour disarms. It makes opponents underestimate them. A devil who quips in battle looks confident. A devil who teases a celestial elder during a council shows dominance without raising their voice.
For writers, devil humour should sparkle but sting. Instead of slapstick, use wordplay, sarcasm, and double meanings. Picture a celestial delivering a pompous lecture, only for the devil to murmur, “That was beautiful. Almost made me forget the screaming outside.”
Humour also keeps them likeable. Readers may loathe their cruelty but laugh at their wit. That laughter creates connection.
When devils laugh, others rarely know if it means amusement or doom. That uncertainty makes their humour deliciously sinister.
Temptation is the devil’s heartbeat. They know what every character desires most, and they dangle it like fruit. They do not force choices. They make refusal feel impossible.
For demons, they offer control. For celestials, forbidden freedom. For mortals, power or love. Each offer is tailored, irresistible, and devastating.
When writing temptation, be specific. A devil does not vaguely promise “happiness.” They promise “the voice of your lost brother restored,” or “a kingdom that bends to your will.” Precision makes the temptation sting.
Temptation works because devils never appear to push. They simply hold out what is already wanted. The tragedy is that the choice feels like the victim’s own.
Readers love temptation arcs because they see the trap forming and scream at the character to resist — knowing full well they will not. It creates delicious tension.
At their core, devils do not corrupt. They reveal. They expose what people already crave and provide the easiest, most seductive path to it. And then they smile when the price is revealed.
The most magnetic devils are not untouchable. Their glamour conceals cracks. Perhaps their perfect face hides a scar only seen in candlelight. Perhaps their calculated poise masks loneliness. Perhaps they remember every bargain that cost them someone they once loved.
Vulnerability does not weaken them. It deepens them. A devil who drinks alone after abandoning an ally becomes more than a villain. A devil who hesitates before betraying a lover reveals conflict. These glimpses keep readers invested.
Vulnerability can also be humorous. Imagine a devil terrified of spiders, hiding it with grand poise. Or a devil obsessed with cooking, furious when their soufflé collapses. Such quirks humanise them without erasing menace.
In romance arcs, vulnerability is essential. Readers want to believe that beneath the armour of silk and poison lies something fragile that only one person can touch.
Do not overuse it. Vulnerability should appear rarely, like a comet. Too much, and they stop being devils. But a flash of weakness at the right moment makes readers whisper, “If only…” That whisper is what keeps them hooked.
Devils live on the edge of splendour and ruin. When they fall, it must be glorious. A whimper does not suit them. They collapse in operatic style; betrayed in their own throne room, undone by love, or consumed by the bargain they thought airtight.
The spectacle is important because devils set themselves up as untouchable. Readers relish watching arrogance crack. But the fall should also carry tragedy. Even as readers cheer, they should feel the sting of wasted brilliance.
In writing, lean into imagery. A devil might laugh as the flames rise, toasting their own defeat with wine. They might die in silk robes, still smiling, leaving allies unsure if it was truly a loss.
The fall can also be metaphorical. A devil stripped of poise, reduced to begging, is as shocking as death. Imagine the most elegant being you know crawling in the dirt. The contrast makes the fall unforgettable.
Readers love these arcs because they provide catharsis. Devils tempt, scheme, and seduce endlessly. Seeing them undone is satisfying. But making it spectacular; dripping with irony, glamour, and pathos; ensures readers remember them long after the page turns.
Devils are designed to be magnetic, but seduction alone does not make them sympathetic. To keep readers invested, you need to balance menace with moments of humour, vulnerability, or reluctant connection. Here are strategies to layer in likeability without softening their sinister core.
The lonely charmer. A devil can have everyone’s body but no one’s trust. That hollowness is haunting. Picture a devil standing in a crowded hall, flirtations dripping from their tongue, but later sitting alone, untouched, their smile fading. Readers pity them even while fearing them.
The witty foil. Humour makes devils irresistible. Their quips at celestial pomp, teasing remarks to demons, or sly jokes with mortals make them entertaining. Even villains who make readers laugh stay memorable. A sharp one-liner mid-battle can be more devastating than a blade.
The devil who almost chooses good. A hesitation, a pause before betrayal, a hand lingering before delivering the final blow — these moments ignite sympathy. Readers hope the devil might change, even as they dread disappointment. That “almost” keeps them hooked.
The flawed strategist. Devils pride themselves on brilliance. Watching them trip over arrogance or underestimate a mortal humanises them. Their downfall is satisfying, but also strangely endearing, because perfection is boring while mistakes are relatable.
The reluctant protector. Devils occasionally protect someone; insisting it is “pragmatic” or “strategically useful.” Readers see through it. That denial of care becomes endearing. A devil grumbling while saving someone’s life is peak charm.
The key is balance. Do not overplay the sympathy or they lose their devilish edge. Sprinkle moments of humanity among the menace. Readers should never quite know whether to swoon, laugh, or hiss. That uncertainty is what makes devils compelling.
The banquet hall was a theatre of stars. Lanterns burned with blue flame, casting cold shadows across jade floors. Celestial elders sat in rigid rows, sipping wine as if tasting virtue itself. At the head of the table, the High Celestial droned about harmony.
And then he arrived.
Lord Xù Mò swept in like a tide of silk. His robe was black shot with crimson, embroidered serpents curling up his sleeves. He did not bow. He merely smiled, as though the hall had been waiting for him.
“Ah,” he said, voice velvet over steel, “so much light. One fears the shadows will grow lonely.”
The hall stiffened. The High Celestial narrowed his eyes. “You are not welcome here.”
Xù Mò’s laugh was soft, indulgent. “Not welcome? And yet here I am. Surely that says something about your guardianship.”
Gasps. Murmurs. But before the celestial could respond, Xù Mò turned to a nervous junior disciple. He leaned close, eyes glinting. “Do you dream, little one?”
The boy stammered. “Y-yes, my lord.”
“Dreams are precious,” Xù Mò murmured, lifting the boy’s chin with a finger. “Would you like yours to come true?”
The boy flushed scarlet. Around him, celestials bristled, uncertain whether to strike or remain still.
Xù Mò straightened, sipping wine as though the boy’s heart had not just been stolen in plain view. “Such a charming banquet,” he said with a grin. “Almost enough to make one believe the heavens themselves are generous.”
The celestials seethed. But no one dared move.
| Realm | Traits | Strengths | Weaknesses | Reader Reaction |
|---|
| Devils | Seductive, manipulative, poised | Strategy, allure, contracts | Ruthlessness, arrogance | Fascination mixed with distrust |
| Celestials | Serene, smug, ritualistic | Order, beauty, authority | Rigidity, superiority | Admiration edged with annoyance |
| Demons | Wild, chaotic, passionate | Energy, freedom | Recklessness, instability | Entertainment and sympathy |
| Mortals | Fragile, gritty, determined | Relatability, resilience | Weakness, short lifespan | Sympathy, rooting for underdog |
Devils stand apart because they are the most sophisticated predators. Celestials dismiss them as corrupt manipulators, but devils laugh at celestial rigidity. Demons sneer at their endless scheming, but cannot resist their bargains. Mortals fear them, yet line up to sign contracts that promise love, wealth, or power.
For writers, this contrast is useful. Place a devil in any group, and the dynamics shift instantly. With celestials, they become witty disruptors. With demons, they become calculating foils. With mortals, they become irresistible tempters.
Readers respond in the same way. We distrust them, laugh with them, and secretly hope to see them fall in spectacular fashion. But we also swoon over their allure. That duality; admiration tangled with dread, is why devils endure.
The mortal woman knelt in the rain, clutching the bundle of her dead child. Her sobs echoed through the abandoned shrine. No one came.
Until he did.
A figure stepped from the shadows, robes whispering like silk across stone. His eyes gleamed scarlet in the torchlight. “Such grief,” he murmured. “It could break the heavens themselves.”
She looked up, tears streaking her face. “Go. Leave me.”
He crouched, tilting her chin up with cold fingers. “But why would I leave, when I can help? One word, and the boy breathes again.”
Her breath caught. “You… you can?”
His smile was devastating. “Of course. A heartbeat is a small thing for me. A name, a promise, a debt. That is all I ask.”
Desperation won. She whispered her name. He pressed a kiss to her forehead, and the child’s chest rose with a ragged breath. She gasped, clutching him, sobbing with joy.
The devil rose, brushing rain from his sleeve. “Cherish this gift. For one day, I will come to collect what is mine.”
And then he was gone, leaving the shrine colder than before.
Are devils always villains?
Not necessarily. Devils often serve as antagonists, but their pragmatism means they can be allies when interests align. A devil protecting their own agenda may coincidentally protect a hero.
What makes devils seductive?
Confidence, poise, and an unnerving ability to know what others want most. Their allure comes from offering exactly what characters crave, whether that is power, love, or revenge.
How are devils different from demons?
Demons thrive on chaos, impulse, and energy. Devils thrive on calculation, contracts, and allure. Demons burn down cities. Devils buy them with signatures.
Can devils love?
Yes, but often with calculation. A devil in genuine love is rare and dangerous because it undermines their pragmatism. That contradiction makes for excellent drama.
Why are devils glamorous?
Their glamour is symbolic. In Chinese fantasy, outer beauty often reflects inner cultivation. For devils, their cultivated refinement signals power and danger. Their aesthetic is part of their identity.
What happens when a devil breaks a bargain?
They rarely do. A devil’s reputation rests on the perception that their contracts are ironclad. Breaking one would shatter their influence. If it happens, it should be a monumental plot point.
How do you add humour to devils?
Through wit and irony. Devils mocking Celestials or teasing mortals can be hilarious, even when the stakes are deadly. Humour is what keeps them charming rather than purely terrifying.
Do devils collect souls?
Absolutely not. Devils in the Mortal Redemption universe would find the very idea laughable. Souls are messy, unpredictable, and useless. Devils trade in Qi, power, influence, and advantage. Their contracts are pipelines, and those pipelines dry up the moment the signee dies. Far better to keep them alive and paying — or ensure their descendants are bound by a multi-generational clause.
What happens when a signee dies?
The contract ends, unless it explicitly includes descendants. This is a devil’s greatest frustration. They work hard to structure bargains so that benefits continue flowing long after the ink dries. Watching a contractor die early feels like unpaid debt; and no devil tolerates unpaid debt lightly.
If you are ready to design your own sinisterly seductive devil, download the Sinister Devil Character Playbook. Inside you will find:
Contract templates to inspire cursed bargains.
Flaw charts to balance allure with vulnerability.
Dialogue prompts for seductive persuasion.
Style guides for clothing, symbols, and aesthetics.
This playbook will help you create devils who are irresistible, terrifying, and impossible to forget.
How to Craft a Radiantly Smug Xianxia Celestial in 10 Enlightened Steps
How to Design a Sinisterly Seductive Xianxia Devil in 10 Ruthless Moves
How to Build a Desperately Determined Xianxia Mortal in 10 Brutal Lessons – Cultivating Dragons
How to Channel a Vaguely Disinterested Xianxia God in 10 Cosmic Steps – Cultivating Dragons
























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